MY JEANNE D’ARC
Her Wonderful Story in the Light of Recent
Researches: With Notes from a
Pilgrimage in France
MICHAEL MONAHAN
THE CENTURY CO.
New York London
Copyright, 1928, by
THE CENTURY CO.
First Printing March, 1928
Printed in U. S. A.
To
ANDRE MAUROIS
WHOSE GENIUS HAS CHARMED AWAY THE BOUNDARIES
of LANGUAGE AND EXTENDED THE PROVINCE
OF LITERARY DELIGHT
FOREWORD
THIS is the greatest story in the world, of the most remarkable person, though but a mere unlettered girl in her teens, that has ever lived in the tide of times. I repeat, the greatest story in the world save ONE, that is beyond all human comparison.
If I have failed to do justice to it the failure cannot be ascribed to any lack of admiration for the heroine or any lack of faith in the saint. Still less may it be imputed to a careless or deficient preparation. I have journeyed far and wide in quest of materials and inspiration for this book, visiting all the places identified with her brief and glorious career. I have consulted, in the original texts, mostly French, the best work of modern scholars, histories, romances, legends dealing with Jeanne d'Arc and her epoch—a great body of literature.
There is a voluminous common stock upon which all writers must draw more or less; as to which no one can honestly profess to be without obligations. But I have not suffered myself to be hampered by my precursors: having read, assimilated, digested, and moreover carried the subject in my mind for years, I have produced my own conception and set forth the. narrative in my own fashion, without perverse or unwarranted treatment of the accepted grounds. After
all is said, one's chief obligation is to the Maid herself, to her imperishable words and deeds, which surpass the imagination of any writer.
I confess it was with no small diffidence, though under a strong sense of compulsion, that I set myself to the task of writing a book on Jeanne d'Arc, adding needlessly perhaps to the immense literature that has gathered about this pure and inspiring figure. If my title seems to imply an undue presumption--if I may not call her my Jeanne d'Arc, at least she has possessed me during many years, and I do not now for the first time take up the pen in her cause. I assure myself, with a special regard to the American public, that it will not be a labor in vain—nay, that it may have been reserved for me to bring one more stone to the Temple of Truth.
MICHAEL MONAHAN.
New Canaan, November, 1927.
INVOCATION
MICHAEL, Catherine, Margaret,
Friends with Jeanne in Heaven long met,
Stoop once more from your high place
To give a sinner help and grace.
Cleanse his heart and arm his soul
'Gainst the Evil One's control,
That he may fight a valiant fight for her
Of whom so long his heart is worshiper!
Michael, Catherine, Margaret,
Far beneath your vision lies
A spot that you may not forget
From your seat in Paradise:
It is the humble garden-close
Where all her glory and grief arose,
And whence you called her to the lame
That adds unto the stars her name!
Michael, Catherine, Margaret,
Here's a spray of mignonette
From that garden by the Meuse
Whispering of your interviews
With her the little shepherd maid,
Gravely sweet and unafraid.
There I plucked it, all in love
To you comrades four above.
Bless it, even for her sake,
And the Book for her I make.
Chapter ------------------------------------------------------Page
I. A PILGRIM IN ORLEANS ----------------------------3
II. THE MAID OF FRANCE------------------------------8
III. HEAVEN DESCENDS --------------------------------20
IV. FILLS DE DIEU --------------------------------------26
V. LA BELLE GUERRIERE ------------------------------30
The Ride to Chinon ----------------------------------35
VI. SOYEZ GALE ET HARDIE-------------------------38
VII. CHINON-----------------------------------------------42
VIII. VIRGINITY------------------------------------------48
IX. KNAVES AND A KING ------------------------------53
X. THE GREAT DUKES -----------------------------------60
XI. ALLEZ-VOUS-EN--------------------------------------68
XII. LA PUCELLE IN BATTLE --------------------------74
XIII. THE EPIC OF ORLEANS --------------------------79
XIV. VICTORY!------------------------------------------------85
XV. INTERLUDE -----------------------------------------94
XVI. THE VOICES PREVAIL----------------------------100
A Soldier's Song --------------------------------------105
XVII. YOUTH IN THE SADDLE-----------------------108
XVIII. A BATTLE OF SPURS ----------------------------116
The Deer Chase --------------------------------------125
XIX. MICHING MALICHO -----------------------------127
XX. AWAKE, ST. GEORGE!----------------------------135
XXI. RING, BELLS OF REIMS! ------------------------141
XXII. A PACT OF TRAITORS --------------------------147
XXIII. LA PUCELLE ABANDONED ------------------153
I am Her General, She My Captain Is------------159
XXIV. THE MAID FIGHTS ON -------------------------160
XXV. ANOTHER INTERLUDE -------------------------165
XXVI. COMPIEGNE ---------------------------------------170
Judas --------------------------------------------------177
XXVII. CAUCHON.----------------------------------------178
XXVIII. SOLD AND DELIVERED ----------------------185
XXIX. "MY KINGDOM IS NOT OF THIS WORLD"---191
XXX. ROUEN -------------------------------------------------196
XXXI. CAUCHON'S GOOD THING -----------------------205
XXXII. INCENSE AND SULPHUR ------------------------211
XXXIII. BEFORE THE JUDGES ---------------------------218
XXXIV. THE ACCUSATIONS-----------------------------228
XXXV. THE GREATER MISSION -------------------------233
The Maid's Defense --------------------------------------241
XXXVI. IN THE SHADOW ----------------------------------244
XXXVII. THE CONDEMNATION --------------------------254
XXXVIII. ON A MAY MORNING ------------------------262
XXXIX. THE VOICES DIE OUT ---------------------------268
In the Market-Place ------------------------------------271
XL. SILENCE ----------------------------------------------------273
Lost Records
IT is strong and eloquent and beautiful. The inspiration which tipped your pen with fire is from the Maid. After all these centuries that force still lives—lives and grows, I think.
-MARK TWAIN to the Author (referring to an essay partly incorporated into this book)
REFERENCES
Jeanne d'Arc, G. Hanotaux (Librairie Plon, Paris)
Jeanne d'Arc, Paul Feyel (Librairie Hachette, Paris)
Jeanne d'Arc, J. Michelet
Jeanne d'Arc, Anatole France
Jeanne d'Arc, Joseph Delteil (Grasser, Paris)
Jeanne d'Arc. A Reims, H. Jadart
Jeanne d'Arc devant Paris, Abbe Henri Couget ("Editions Spes," Paris)
La Bienheureuse Jeanne d'Arc, Mgr. Henri Debout Ce Que Fut Jeanne d'Arc, Mgr. Toucher, Bishop of Oreleans
La Prison de Jeanne d'Arc a Rouen, R. Queneday La Vraie Jeanne d'Arc, Jules d'Auriac
Jeanne d'Arc, Liberatrice de la France, Joseph Fabre Condemnation de Jeanne d'Arc, Joseph Fabre Les Lettres de Jeanne d'Arc, De Maleyssie
Jeanne d'Arc a Domremy, Simeon Luce
La Vie et la Mort de Gilles de Rais, Emile Gabory Images Historiques, Henry Martin
The Maid of France, Andrew Lang
Joan of Arc, Mark Twain
Joan of Arc, F. C. Lowell
Saint Joan (drama), Bernard Shaw
Joan of Arc, De Quincey's Essay in his Works